Books Do Furnish a Painting by Jamie Camplin & Maria Ranauro
Hand Signed by Jamie Camplin & Maria Ranauro to the Title Page
New & Unread - Published 2018
What should you do at Christmas? In Edvard Munch’s Christmas in the Brothel, the artist depicts himself sleeping off the effects of drink while the Madame reads a book. Is it a girl or a boy who is denied control of the books in Renoir’s Portraits d’enfants? What was Gauguin hinting at when he painted Milton’s Paradise Lost into a portrait of a friend? And why were the Cumberland girls reading The Fashionable Lover in George Romney’s portrait of them?
Thousands of fine paintings include books in their subject matter. Beginning with the question, ‘What is a book?’, this companionable survey explores the symbiotic relationship between the development of books and the emergence of our modern sense of the importance of the individual artist; it parades and interprets the work of many of the greatest artists of the last five hundred years; and it explains how and why books became the single most ubiquitous feature of our cultural lives and, in large measure, of our everyday existence.
These paintings connect us with centuries of gender differences, religious systems, symbols, education, patterns of transport, social status, romance, the imagination of children, literary life, sex, friendship, civilized bathing, scientific discovery, aids to rest, aids to reflection, danger … Books tell us about ourselves – and they certainly do furnish a painting.
About the Authors: Jamie Camplin graduated from Cambridge in 1968 with a Double First in History. He was Editorial Director, Thames & Hudson, 1979–2005, and Managing Director, 2005–13. He is the author of The Rise of the Plutocrats: Wealth and Power in Edwardian England (1978) and 1914 The King Must Die (2015). According to bestselling biographer Michael Holroyd, in The Times, he writes with ‘skill and a wry romantic wit. I can see he is playing brilliantly.’ Maria Ranauro studied art history at the Courtauld Institute. After taking her MA in 2005, she worked in the publishing department at the National Gallery, London, and was responsible for the visual content of a number of seminal exhibition catalogues. She is now Senior Picture Researcher at Thames & Hudson and in January 2016 won the Longman-History Today Picture Researcher of the Year Award.
Format: Hardback Edition
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It was the most impressive packaging that I have EVER SEEN!!! An ocd person's dream...