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The Act of Documenting by Brian Winston
£34.99
Available
Product Ref. (e.g. ISBN, SKU)
9781501309175
Published:
26 Jan 2017
Format:
Paperback
Number of pages:
271 pages
Dimensions:
228.6x152.4x17mm
Weight:
0.490kgs
Author:
Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer and the spectator are being dissolved. This text addresses what this means for documentary's 21st century position as a genus in the 'class' cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; and for its future in a world where assumptions of photographic image integrity cannot be sustained.
Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer and the spectator are being dissolved. The Act of Documenting addresses what this means for documentary's 21st century position as a genus in the "class" cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; for its future in a world where assumptions of photographic image integrity cannot be sustained. Unpacked are distinctions between performance and performativy and between different levels of interaction, linearity and hypertextuality, engagement and impact, ethics and conditions of reception. Winston, Vanstone and Wang Chi explore and celebrate documentary's potentials in the digital age.
About the Author: Brian Winston was a leading figure in British media studies. He was Professor of Communications and Lincoln Chair at the University of Lincoln, UK. He held senior academic posts at UK National Film and Television School, New York University, Pennsylvania State University, the University of Wales (Cardiff), and Westminster University. He authored and edited over 20 books, including Claiming the Real: The Documentary Film Revisited (British Film Institute, 1995), Technologies of Seeing: Photography, Cinema and Television (British Film Institute, 1996), Fires Were Started- (BFI Film Classics, 1999), and A Right to Offend (Bloomsbury Academic, 2012).
| Number of pages | 271 |
|---|
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