Das Belvedere. 300 Jahre Ort Der Kunst by Stella Rollig (Hardback)

£44.50
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Product Ref. (e.g. ISBN, SKU)
9783111186207
Published:
18 Aug 2023
Format:
Hardback
Number of pages:
398 pages
Dimensions:
280x230x33mm
Weight:
1.371kgs
Author:
Anniversary publication of the Belvedere The Belvedere in Vienna epitomizes the changes that have taken place over the course of three centuries in the concept of what constitutes a museum. Originally built by Prince Eugene of Savoy to enhance his prestige as a prince, under Maria Theresa, the Upper Belvedere became one of the world's first public museums. The idea of presenting Austrian art in an international context, which in 1903 motivated the establishment of the Modern Gallery in the Lower Belvedere, remains the key objective of this world-famous cultural institution. In this critical homage, renowned authors explore enduring questions that transcend the different epochs, such as : What ordering concepts are evident in art presentation ? How contemporary were these presentations in an international context ? What kind of public were they aimed at ? Anniversary publication of the Österreichische Gal

Jubiläumspublikation des Belvedere

Am Wiener Belvedere lässt sich der Wandel des Museumsbegriffs über drei Jahrhunderte exemplarisch nachvollziehen. Ursprünglich durch Prinz Eugen von Savoyen als Gartenpalais zum Zwecke fürstlicher Repräsentation errichtet, wurde das Obere Belvedere unter Maria Theresia zu einem der ersten öffentlich zugänglichen Museen weltweit. Österreichische Kunst im internationalen Kontext zu zeigen, wie es die Gründungsidee der 1903 im Unteren Belvedere eingerichteten Modernen Galerie vorsah, stellt bis heute ein programmatisches Anliegen der renommierten Kultureinrichtung dar.

Die in dieser kritischen Hommage versammelten Beiträge namhafter Autor:innen gehen über Epochengrenzen hinweg gemeinsamen Fragestellungen nach : Welche Ordnungskonzepte manifestieren sich in den Kunstpräsentationen ? Wie zeitgemäß waren diese im internationalen Vergleich ? Welches Publikum sollte damit angesprochen werden ?

Jubiläumspublikation der Österreichischen Galerie Belvedere - kritische Hommage auf Geschichte und Vielfalt eines Ortes der Kunst über Jahrhunderte Ausstellung bis 7. Januar 2024

Mit Beiträgen von Johanna Aufreiter, Björn Blauensteiner, Brigitte Borchhardt-Birbaumer, Thomas DaCosta Kaufmann, Christiane Erharter, Nora Fischer, Anna Frasca-Rath, Antoinette Friedenthal, Martin Fritz, Thomas W. Gaehtgens, Sabine Grabner, Katinka Gratzer-Baumgärtner, Cäcilia Henrichs, Alice Hoppe-Harnoncourt, Christian Huemer, Georg Lechner, Stefan Lehner, Gernot Mayer, Monika Mayer, Sabine Plakolm-Forsthuber, Georg Plattner, Matthew Rampley, Luise Reitstätter, Stella Rollig, Claudia Slanar, Franz Smola, Nora Sternfeld, Silvia Tammaro, Wolfgang Ullrich, Leonhard Weidinger, Christian Witt-Dörring, Luisa Ziaja und Christoph Zuschlag

About the Author: Stella Rollig ist seit Januar 2017 Generaldirektorin und wissenschaftliche Geschäftsführerin des Belvedere. Sie studierte Germanistik und Kunstgeschichte an der Universität Wien und war als Kunstpublizistin tätig (unter anderem ORF, Der Standard). Von 1994 bis 1996 war Stella Rollig österreichische Bundeskuratorin für bildende Kunst; in dieser Zeit gründete sie auch Depot. Kunst und Diskussion im MuseumsQuartier Wien. Von 2004 bis 2016 leitete die Ausstellungsmacherin das Lentos Kunstmuseum Linz, ab 2011 zusätzlich das Nordico Stadtmuseum Linz. Neben ihrer kuratorischen Tätigkeit lehrte Stella Rollig an zahlreichen Instituten. Christian Huemer ist Leiter des Belvedere Research Center. Er studierte Kunstgeschichte in Wien, Paris und New York, wo er zum Thema „Paris - Vienna : Modern Art Markets and the Transmission of Culture (1873-1937)" promovierte. Kuratorische Praktika am Solomon R. Guggenheim Museum und am Museum of Modern Art in New York. Er hatte Lehraufträge unter anderem am Hunter College in New York, am Sotheby's Institute of Art in Los Angeles und an der Universität Wien. Von 2008 bis 2017 zeichnete Christian Huemer für die Weiterentwicklung der Getty-Provenance-Index®-Datenbanken verantwortlich. In diesem Zusammenhang organisierte er Forschungsprojekte wie „Markt und Macht. Der Kunsthandel im ,Dritten Reich'" (Publikation 2017) oder „London and the Emergence of a European Art Market, 1780-1820" (Publikation 2019). Editor-in-Chief der Buchreihe Studies in the History of Collecting & Art Markets und Managing Editor des Belvedere Research Journal.

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Number of pages 398

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