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Latinx (Book 245) by Pilar Tompkins Rivas
£19.95
Out of stock
Product Ref. (e.g. ISBN, SKU)
9781597115063
Published:
16 Dec 2021
Format:
Paperback
Number of pages:
144 pages
Dimensions:
305x235x16mm
Weight:
0.862kgs
Author:
Book 245 from the Aperture issue series.
Guest edited by curator Pilar Tompkins Rivas, this issue will explore how photography by Latinx artists offers a complex understanding of experiences across ethnicity, class, and gender in the United States. The issue presents images that span the nineteenth century to the present, and delves into the image records of political resistance, social spaces, and youth culture and nightlife through essays on the Chicano Movement.
This winter, Aperture magazine presents an issue that celebrates the dynamic visions of Latinx photography across the United States. Guest edited by Pilar Tompkins Rivas, chief curator at the Lucas Museum of Narrative Art in Los Angeles, "Latinx" spans a century of image making, connecting historical and contemporary photography, and covering the themes of political resistance, family and community, fashion and culture, and the complexity of identity in American life.
In "Latinx," Carribean Fragoza traces Laura Aguilar's influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today.
"Collectively, their images cast a greater net for the multiple ways of seeing Latinx people," Tompkins Rivas notes of the issue's photographers, "creating a visual archive whose edges are yet to be defined."
In "Latinx," Carribean Fragoza traces Laura Aguilar's influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today.
"Collectively, their images cast a greater net for the multiple ways of seeing Latinx people," Tompkins Rivas notes of the issue's photographers, "creating a visual archive whose edges are yet to be defined."
About the Author: Pilar Tompkins Rivas is chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art, Los Angeles. Previously, she was director of the Vincent Price Art Museum (VPAM) at East Los Angeles College, coordinator of curatorial initiatives at the Los Angeles County Museum of Art (LACMA), and director of residency programs at 18th Street Arts Center, Santa Monica, California. Specializing in U.S. Latinx and Latin American contemporary art, Tompkins Rivas has organized dozens of exhibitions throughout the U.S., Colombia, Egypt, France, and Mexico. She cocurated Home-So Different, So Appealing: Art from the Americas since 1957 (2017) and A Universal History of Infamy (2017) at LACMA; L.A. Xicano (2011-12) at LACMA, the Fowler Museum at UCLA, and the Autry Museum of the American West, Los Angeles; and Vexing: Female Voices from East LA Punk at the Claremont Museum of Art, California. Tompkins Rivas curated Tastemakers & Earthshakers: Notes from Los Angeles Youth Culture, 1943-2016 (2016) and A Decolonial Atlas: Strategies in Contemporary Art of the Americas (2017) at VPAM; as well as Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center (2011) for the City of Los Angeles.
| Number of pages | 144 |
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