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Opera Cinema by Joseph Attard
£28.99
Out of stock
Product Ref. (e.g. ISBN, SKU)
9781501370366
Published:
25 Jan 2024
Format:
Paperback
Number of pages:
248 pages
Dimensions:
229x152x13mm
Weight:
0.336kgs
Author:
Since 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world - live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric artform and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.
Since 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world - live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric art form and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid art form in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.
About the Author: Joseph Attard completed his PhD in Film Studies at King's College London, UK, in collaboration with the Royal Opera House. He is now an author and journalist. His media research focuses on the intersection between technology, social science and politics, all from a Marxist perspective. He organised the first-ever academic conference on opera cinema; as well as co-editing a special issue of Opera Quarterly, and contributing chapters to a number of publications around the topic.
| Number of pages | 248 |
|---|
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