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Rembrandt. The Self-Portraits by Rembrandt Harmenszoon van Rijn (Hardback)
£15.00
Out of stock
Product Ref. (e.g. ISBN, SKU)
9783836596671
Published:
29 Apr 2024
Format:
Hardback
Number of pages:
192 pages
Dimensions:
195x140mm
Weight:
0.411kgs
Author:
No other 17th-century artist played the self-portrait game as extravagantly as the Dutchman Rembrandt. Spanning from his youth until just a year prior to his death, this collection gathers the entirety of Rembrandt's self-portraiture. The works are an intimate glimpse into the artist's self-reflection and nothing short of a triumph of art history.
Few devotees of the form can approach Rembrandt Harmenszoon van Rijn's radical contributions to self-portraiture. Challenging the conventions enshrined by his predecessors, Rembrandt transformed the art into a fully realized medium capable of communicating emotional depth rather than favorably immortalizing one's likeness in the finest trappings of luxury. With more than 80 works spanning paintings, etchings, and drawings, the Dutchman's lifelong practice of self-portraiture functions as a means of concretizing that which is fleeting. Across four decades, one constant is particularly striking across media and styles-Rembrandt's dedication to presenting himself from multiple perspectives, celebrating the multiplicity of the individual and championing the unfiltered portrayal of emotional expression.
Apart from the thematic concerns present within Rembrandt's suite of self-portraits, the works themselves are rich with technical innovation and experimentation. There is an unmistakable humanity present across the entirety of this oeuvre, each expressive brushstroke and obfuscated feature amounting to an unflinchingly honest characterization of himself, in all his foibles, contrasting states of feeling, and stages of life.
This monograph renders all of Rembrandt's self-portraits - from his first experimentations at age twenty-two to his final self-portrait painted a year before his death - and stands testament to a life committed to revolutionizing painterly practice both in content and form.
About the Author: Marieke de Winkel studied art history and classical archaeology at the University of Amsterdam and history of dress at the Courtauld Institute in London. From 1993 to 2003, she was a research assistant with the Rembrandt Research Project. Her PhD thesis at the University of Amsterdam focused on dress in the works of Rembrandt.
| Number of pages | 192 |
|---|
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