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Rethinking Theatrical Documents in Shakespeare's England by Tiffany Stern
£23.99
Available
Product Ref. (e.g. ISBN, SKU)
9781350248854
Published:
03 Jun 2021
Format:
Paperback
Number of pages:
304 pages
Dimensions:
198x129x20mm
Weight:
0.328kgs
Author:
This title brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) - though 'before', 'during' and 'after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually.
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.
Rethinking Theatrical Documents brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) - though 'before', 'during' and 'after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually.
About the Author: Tiffany Stern is Professor of Shakespeare and Early Modern Drama at the Shakespeare Institute, University of Birmingham, UK. She is the author of Rehearsal from Shakespeare to Sheridan, Making Shakespeare, Shakespeare in Parts (with Simon Palfrey) and Documents of Performance in Early Modern England. She has co-edited a collection of essays with Farah Karim-Cooper, Shakespeare's Theatres and the Effects of Performance, and has edited King Leir, Sheridan's The Rivals, Farquhar's Recruiting Officer, and Brome's Jovial Crew. She is general editor of New Mermaids and the Arden Fourth series.
| Number of pages | 304 |
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