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Robert De Niro at Work by Adam Ganz
£24.99
Out of stock
Product Ref. (e.g. ISBN, SKU)
9783030479596
Published:
10 Nov 2020
Format:
Paperback
Number of pages:
246 pages
Dimensions:
210x148x19mm
Weight:
0.352kgs
Author:
This critical study examines how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance. In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text. It considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process. The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro.
Robert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance. In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text. This book considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process. The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro.
About the Author: Adam Ganz is Professor in the Media Arts Department at Royal Holloway, University of London.Steven Price is Professor in Modern and Contemporary Literature and Film at Bangor University. He is the author of The Screenplay: Authorship, Theory and Criticism and A History of the Screenplay, and former editor of the Journal of Screenwriting.
| Number of pages | 246 |
|---|
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