The Broadside Ballad in Early Modern England by Patricia Fumerton (Hardback)

£81.00
Out of stock
Product Ref. (e.g. ISBN, SKU)
9780812252316
Published:
01 Jan 2021
Format:
Hardback
Number of pages:
512 pages
Dimensions:
254x178x33mm
Weight:
1.082kgs
"A survey of the cultural aesthetics involved in the practice of making and consuming broadside ballads in the early modern period in England. The author focuses on the historical and cultural aesthetics of the ballad-as-experience and as a multimedia object. Experiential ballad aesthetics includes appreciation of the made objects as well as of the set of processes involved in their making (pressed sheets of paper, voiced narratives and dialogues, carved woodblocks of scenes and portraits, fictional identities, and collective memories, to name only a few). An experiential ballad aesthetic also requires understanding the multimodal group of individual and collaborative roles involved in such makings (author, printer, hawker, singer, auditor, reader, collector). Experiential ballad aesthetics is, furthermore, generative and protean, capable of seemingly endless shifts and renewals. Constantly moving with the political and social times, it

A comprehensive presentation and examination of a popular seventeenth-century genre: the English broadside ballad
In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive-individual elements migrated freely from one broadside to another-some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive.
In this magisterial and long-awaited volume, Fumerton presents a rich display of the fruits of this work. She tracks the fragmentary assembling and disassembling of two unique extant editions of one broadside ballad and examines the loose network of seventeenth-century ballad collectors who archived what were essentially ephemeral productions. She pays particular attention to Samuel Pepys, who collected and bound into five volumes more than 1,800 ballads, and whose preoccupations with black-letter print, gender, and politics are reflected in and extend beyond his collecting practices. Offering an extensive and expansive reading of an extremely popular and sensational ballad that was printed at least 37 times before 1701, Fumerton highlights the ballad genre's ability to move audiences across time and space. In a concluding chapter, she looks to Shakespeare's The Winter's Tale to analyze the performative potential ballads have in comparison with staged drama.
A broadside ballad cannot be "read" without reading it in relation to its images and its tune, Fumerton argues. To that end, The Broadside Ballad in Early Modern England features more than 80 illustrations and directs its readers to a specially constructed online archive where they can easily access 48 audio files of ballad music.

About the Author: Patricia Fumerton is Distinguished Professor of English at the University of California, Santa Barbara, where she is the founder and director of the English Broadside Ballad Archive.

More Information
Number of pages 512

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