The Sack of Rome, 1527 (Book 26) by André Chastel

£38.00
Out of stock
Product Ref. (e.g. ISBN, SKU)
9780691252230
Published:
15 Aug 2023
Format:
Paperback
Number of pages:
344 pages
Dimensions:
254x203.2x20mm
Weight:
0.680kgs
Author:

Book 26 from the The A.W. Mellon lectures in the fine arts series.

From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of 16th-century Rome. In this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasising the spread or 'Europeanisation' of the Mannerist style by artists who fled the city. At the same time, Clement's critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope's temporal power.

From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century Rome

In this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or "Europeanization" of the Mannerist style by artists who fled the city-including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement's critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope's temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome's recovery.

About the Author: André Chastel (1912-1990) was professor of the art and civilization of Renaissance Italy at the Collège de France.

More Information
Number of pages 344

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