Victorian Fashion (Book 822) by Jayne Shrimpton

£9.99
Available
Product Ref. (e.g. ISBN, SKU)
9780747815082
Published:
24 Mar 2016
Format:
Paperback
Number of pages:
96 pages
Dimensions:
210x148x8mm
Weight:
0.240kgs
Author:

Book 822 from the Shire library series.

The Victorian age was one of the most exciting and complex periods of history, an era of rapid change and great contrasts, in which dress reflected the times with extraordinary vibrancy. Female style was expressed in a succession of striking fashions, ever-shifting trends in the form, colour, material and ornamentation of garments, novel accessories and diverse hairstyles. Male dress was more uniform and sober, evolving subtly, whereas children's wear underwent significant developments. While celebrating the excesses of high fashion hot from Paris, Jayne Shrimpton also considers the dress of ordinary working people and the clothing worn for special occasions and sporting activities.
The sweeping crinolines, corsets, bustles, bonnets and parasols of Victorian Britain are indispensable to our period dramas, and their influences can still be seen within burlesque and steampunk fashions. This is no surprise, as nineteenth-century clothing was so wide-ranging and decorative. We might unfairly think gentlemen's costume to be rather plain and uniform, but this is more by contrast to the overwhelming ostentation, luxury fabrics, fine accessories and constantly evolving silhouettes of ladies' fashion. This colourful introduction to what the Victorians wore describes the vibrant, fancy materials and lace edging at one end of the spectrum, and the tightlaced sobriety of mourning apparel at the other. It examines both high fashion imports from Paris and more modest everyday wear, evening costume, bridal styles, children's clothes and sportswear, and explores the social and cultural backdrop to clothing in Britain's great age of industry and empire.

About the Author: Jayne Shrimpton is a professional dress historian and portrait specialist with an MA in the History of Dress from the Courtauld Institute of Art (University of London). She has many years' experience analysing historical images and is well known for her dress history and photograph books, magazine articles, lectures and photo-dating events.

More Information
Number of pages 96

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