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Visualizing Dunhuang (Book ) by James C. M. Lo (Hardback)
£1,200.00
Out of stock
Product Ref. (e.g. ISBN, SKU)
9780691208152
Published:
01 Jun 2021
Format:
Hardback
Number of pages:
3128 pages
Dimensions:
342.9x244.47x405mm
Weight:
26.000kgs
Author:
Book from the Publications of the Tang Center for East Asian Art, Princeton University series.
"The city of Dunhuang, in north-west China, is situated at the crossroads of two major trade routes within the Silk Road network, and was one of the first trading cities encountered by merchants arriving in China from the west. It was also an ancient site of Buddhist religious activity, and a popular destination for pilgrims, as it lay on the pilgrim route from Tibet to the sacred Mount Wutai. The Mogao Caves, also known as the Qianfodong (the Caves of the Thousand Buddhas), a collection of nearly 500 caves in the cliffs to the south of the city, contain the largest depositary of historic documents along the Silk Roads and bear witness to the wide range of activity that took place in Dunhuang across the first millennium, until the 11th century, when its role in Silk Road trade began to decline. Named a UNESCO (United Nations Educational, Scientific, and Cultural Organization) World Heritage Site, the Mogao Caves are an astonishing colle
Available in a limited print run of 1,000 sets-the stunning nine-volume presentation of the incredible Buddhist caves at Dunhuang in northwestern China
Situated at an important juncture within the network of silk routes from China through central Asia, the oasis city of Dunhuang was an ancient site of Buddhist religious activity. Southeast of the city, the Mogao Caves, also known as the Caves of the Thousand Buddhas, are an astonishing group of hundreds of caves-carved in the cliffs between the fourth and fourteenth centuries-containing sculptures and paintings. Further east sit the Yulin Caves, another critical and richly decorated site. Featuring some of the finest examples of Buddhist imagery to be found anywhere in the world, these caves have enticed explorers, archaeologists, artists, scholars, and photographers since the early twentieth century.
Visualizing Dunhuang: The Lo Archive Photographs of the Mogao and Yulin Caves presents for the first time in print the comprehensive photographic archive-created in the 1940s by James C. M. Lo (1902-1987) and his wife, Lucy L. Lo (b. 1920)-of the remarkable Buddhist caves at Dunhuang. This extraordinary nine-volume set features more than 3,000 of the original black-and-white photographs that provide an indispensable historical record. Invaluable for their documentary worth and artistic quality, and thorough in their coverage and clarity, the images represent a rare perspective on significant monuments, many now irretrievably changed. The Lo Archive serves as a treasure trove of historical, cultural, and artistic information for researchers, art historians, and conservators.
The introductory volume includes an essay about the formation and history of the Lo Archive, as well as maps, diagrams, photographs of the Mogao site, and concordances. The central volumes contain photographs of the Mogao and Yulin Caves, collaged photographs, several hundred newly created diagrammatic plans, and English and Chinese captions. The final volume is a collection of essays that addresses the complexity and richness of the Lo Archive, and how Dunhuang has been viewed from ancient times to the present. Contributors include Neville Agnew, Dora Ching, Jun Hu, Annette Juliano, Richard Kent, Wei-Cheng Lin, Cary Liu, Maria Menshikova, Jerome Silbergeld, Roderick Whitfield, and Zhao Shengliang.
Exquisitely produced, this monumental set's abundant photographs have been lavishly printed as tritones, allowing for the closest possible match to James Lo's original black-and-white photographs, and for the clearest, richest images possible. With numerous silk-screened pages and an eight-page double-sided gatefold, Visualizing Dunhuang stands as a definitive reference for scholars, collectors, and libraries in art history and Asian studies.
Published in association with the Tang Center for East Asian Art, Princeton University
About the Author: Dora C. Y. Ching is associate director of the P. Y. and Kinmay W. Tang Center for East Asian Art at Princeton University.
| Number of pages | 3128 |
|---|
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